Thomas Demand
Thomas Jackson
Thomas Lindahl Robinson
Tim Davis
Tim Pickerill
Tina Crespo
The complex relationship between the natural world and the freedom it admits us is simpler here, but still memorable and profound. Nature is a recurrent theme, it seems, of her photography, and she turns it masterfully to beautiful and dark purposes in images such as ‘Dark Forest’ and ‘Salt Water Cure’ as well.
Key words: Nature - Text - Space - Vignette - Quotes - Thought - Dreams - Landscape - Circle - Window
Tobias Zielony
Todd Deutsch
Tom Bamberger
Tom Bovo
Tom Hunter
Tomas Teodosijev
From a series entitled 'My father's memories'
Key words: Objects - Possessions - Fragments - Draws - Collections - Random - Memory - Death - Inheritance
Tomoyuki Sakaguchi
Trish Morrissey
Ursula Sokolowska
The Constructed Family series 76x76cm (30x30”) Lambda prints - Edition of 7
This work examines the trauma and uncertainty carried from childhood. In particular, I am referencing my own upbringing as a Polish immigrant. There is an undercurrent of helplessness and misdirection linked to a sort of schizophrenic parenting, excommunication, and constant movement. Typically, the perception of children handed down by my elders was that children did not have a choice. Frequently, I heard a Polish equivalent of the phrase “Children should be seen not heard”. I am attempting to give these children voices.
These photographs are projection-based installations. The models are mannequins and their faces are projections. The faces of the children are slides that my father took of me when he was still involved in my life. The other slides are present day images that I have shot of my mom, my dad, and myself. My goal is to reconstruct my own childhood, empowering the past for better or for worse. The result is a troubling recreation of events that may seem disturbing but are far less in context to the real events that transpired.
This work examines the trauma and uncertainty carried from childhood. In particular, I am referencing my own upbringing as a Polish immigrant. There is an undercurrent of helplessness and misdirection linked to a sort of schizophrenic parenting, excommunication, and constant movement. Typically, the perception of children handed down by my elders was that children did not have a choice. Frequently, I heard a Polish equivalent of the phrase “Children should be seen not heard”. I am attempting to give these children voices.
These photographs are projection-based installations. The models are mannequins and their faces are projections. The faces of the children are slides that my father took of me when he was still involved in my life. The other slides are present day images that I have shot of my mom, my dad, and myself. My goal is to reconstruct my own childhood, empowering the past for better or for worse. The result is a troubling recreation of events that may seem disturbing but are far less in context to the real events that transpired.
Key words: Childhood - Movement - Relocation - Choice - Projection - Self - Past - Memory - Family
Wayne Lawrence
Wayne Lawrence is a St.Kitts born documentary fine art photographer based in Brooklyn, New York. His work represents a visual diary of his life’s journey and focuses on his relationship to communities otherwise overlooked by mainstream media.
Key words: Portrait - Black - America - Minority - People -Community - Recreation - Fashion - Style - Media
Wendy McMurdo
Will Govus
Will Nolan
Sometimes a simple concept can pack a powerful punch. Such is the case with these elegantly minimal photographs of melted popsicles by Australian photographer Will Nolan. Each piece is a meditation on the fragility of life and a reminder of the everyday delights (such as ice cream!) that we often take for granted.
Key words: Ice Cream - Melt - Food - Minimal - Simple - Colour - Fragility - Life and Death - Childhood
William Hundley
Yasumasa Morimura
Yeondoo Jung
Yumiko Utsu
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