Abby McGuane
Abigail Reynolds
Andrew Lacon
Andrew Lundwall
Angie Buckley
The Stages of Restoration: The use of these vintage images connects the past as an important part of our present. More often than not, we do not know the stories behind these pictures -- leaving us to project our own meaning and history. Alongside these projections, habits and psychological patterns are passed from one generation to the next. When self-defeating habits rise to our consciousness, and more important when we act on changing these routines, we can break free from what confines us. The cut-out silhouettes implies a sense of loss. These open figures are the play of photography whose shapes are framing new environments; it is a frame within a frame. Though we don’t see the people whose bodies are removed, we see their gestures and absences. Not only do we naturally perform those gestures, we learn them.
Meanwhile, the isolated figurines reenter the contemporary world with a new context. These remote figures have accomplished a journey through their dark nights of the soul and now have the capacity to reveal their deeper, truer selves. Once we fully release our past and other collective memories, we create a stronger sense of place. Dedicating oneself to venture through a vulnerable, lonely path leads to shedding light on the subconscious and conscious voices in our minds. Commitment -- to personal growth and healing -- is ultimate freedom.
April Gertler
Arnulf Rainer
Barbara Kruger
Bert Simons
Bobby Neel Adams
Boo Ritson
Carlos Tarrats
Carolle Benitah
Chris Engman
Claire Pestaille
Clunie Reid
Cy Twombly
Dale Yudelman
Daniel Gordon
Danny Ivan
Danwen Xing
David Adey
David Zilber
These days, creative polymaths are commonplace. But have you ever come across a professional butcher-cum-photographer, as happy working in fine dining establishments across Canada as he is wielding a camera? Enter David Chaim Jacob Zilber, whose latest series Empiricism is a colour-heavy exercise in the creation of parallels. Like all photographers, Zilber doesn’t always get it right, but when he does, he really does…
Key words: Parallel - Narrative - Colour - Everyday - Juxtapose - Spliced - Memory
Dessi Terzieva
Dryden Goodwin
Ed Spence
Amazing collaged photographs. Half the image is painstakingly pixellated by cutting the image into tiny squares and reassembling in graded patterns. These already busy scenes are transformed to a sort of digital representation. All the information is still there but representation has been lost through an ordered explosion.
Key words: Pixel - Mosaic - Collage - People - Digital - Square - Pattern - Information - Colour
Ellen Gallagher
ELT Mesens
Emma Spertus
Fong Qi Wei
This series of images are mostly landscapes, seascapes and cityscapes, and they are a single composite made from sequences that span 2-4 hours, mostly of sunrises and sunsets. The basic structure of a landscape is present in every piece. But each panel or concentric layer shows a different slice of time, which is related to the adjacent panel/layer. The transition from daytime to night is gradual and noticeable in every piece, but would not be something you expect to see in a still image.
Key words: Time - Buildings - Sunrise - Sunset - Collage - Dimensions - Transition - Change - Colour - Light - City
Gordon Matta Clark
Grace Weston
Gregory Scott
Gwon Osang
Hannah Hoch
Hayley Warnham
Januz Miralles
Photographer Januz Miralles from Philippines explores the beauty and fragility of the woman’s body with care and delicacy. Mixing photography with drawing and painting techniques, in mostly muted tones (but sometimes with bold strokes of red), he manages to highlight a wide range of emotions both in his subjects.
Key words: Female - Sexuality - Paint - Portrait - Mask - Emotions - Colour - Tone - Body - Beauty
Jared Steffensen
Jens Ullrich
Joachim Schmid
John Clang
John Stezaker
Jonathas de Andrade
Joseba Elorza
This Spanish artist creates surreal photomontage compositions by blending imagery from different times and sources. The resulting narratives are clever, witty and thought provoking.
Key words: Time - Surreal - Narrative - Past - Future - History - Events - Fantasy - Layered - Space
Kazuya Tsuji
Krzysztof Wodiczko
Laura Plageman
Letha Wilson
Levi van Veluw
Levi Mandel
Linder
Lola Dupre
Scotland-based artist Lola Dupre cuts up photographs and collages the snips into mind-bendingly weird and witty deformed portraits. She is a master of scissors, glue, and surrealism. "For me, I take a certain delight in the ready-made colour schemes and the detail of the images I work from."
Key words: Portrait - Surrealism - Collage - Found Imagery - Famous - Iconic - Repetition - Media
Ludmila Steckelberg
Lynette Miller
Maria Aparicio Puentes
Maurizio Anzeri
Michael Macku
Michael Mapes
Michael Mapes creates elaborate specimen boxes by dissecting photographs and then compartmentalizing individual fragments within plastic bags, glass vials, magnifiers, in gelatin capsules and on insect pins. The boxes exist in an uncanny area between photography and sculpture, functioning both as portraits and as fascinating scientific canvases that make you question the the logic behind the organization of each piece.
Key words: Specimen - Display - Fragments - Dissects - Explode - Science - Portrait - Organise
Neil Barrett
Odette England
Oliver Herring
Paul Butler
Philip Kwame Apagya
Philipp Igumov
Richard Galpin
Richard Vergez
Rob + Nick Carter
Rob Mulholland
Robert Gligorov
Robert GLIGOROV
Untitled (octopus with bird) 2001 Cibachrome on aluminium Ed. of 3 60 x 68 cm 23.6 x 26.8 inches |
Robert GLIGOROV
Focus 2006-07 Digital print on aluminium Diptych Ed. of 3 various sizes |
Robert GLIGOROV
Proiettile 2006-07 Digital print on aluminium ed. of 3 various sizes |
Robert GLIGOROV
The Diver in Elena's House 2002 Cibatransparency on lightbox Ed. of 3 125 x 125 cm |
Courtesy of the artist and Aeroplastics contemporary, Brussels
Rosangela Renno
Ruth Van Beek
Van Beek uses found photographs, amateur family photographs, newspaper clippings and magazine tears in her work, in which she tries to create something that never existed before. “I try to make the animals come to life again by cutting and folding the paper,” she says. “I restrain them in a new shape. This way I turn them into creatures that are silent like stones, but are also showing a tension.” Van Beek’s work represents a more controlled, more intimate breed of collage work. Hibernators cuts and folds common domestic pets and animals into creatures that exist somewhere between photography and collage. Through van Beek’s handy work, the facial features of the animals are often removed—further abstracting them from a sense of space. With the loss of distinguishing features, the altered animals begin to take on new identities.
Key words: Animals - Pets - Domestic - Surreal - Features - Abstract - Identity - Familiar - Strange - Creatures
Ryuta Iida
Key words: Portrait - Layered - Time - Movement - People - Texture - Distort
Sabrin Gschwandtner
Samuel Stern
Key words: Layered - Portrait - Weave - Double - People - Angle - Expression - Movement
Scott Hazard
The objects I make serve as devices for poetic awareness. Looking into them creates an atmosphere of in-betweenness which helps frame the small extractions and resonances of the world featured in each work. Commonplace elements in the natural and built worlds provide points of origin for helping people gain insights and understandings of the landscape around them. My work incorporates extractions from sites in urban and pastoral landscapes, whether the material extracted is local stone or wood, video, or photographs.
Key words: Collage - Torn - In-between - Distance - Portal - Escape - Layered - Space - Hole - 3D
Shaun Kardinal
Shawn Huckins
Slinkachu (blog)
Stephen j Shanabrook & Veronika Georgieva
Suellen Parker
Thomas Robson
Thomas Robson Remixing Fine Art with Appropriation Art to confront received aesthetics and critically re-appraise imagery in a visually saturated world. Art Manifesto: Exploring the role of Artistic Provocateur, attacking the boundaries between graphic design & fine art by subverting and re-contextualising imagery with dramatic visual interventions.
Key words: Media - Aesthetics - Beauty - Graphics - Subvert - Visual interventions - Advertising
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